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At least they are safe from the gang rapers.
French officials condemned the attacks and stated that there was no indication of a direct link to the Games. No injuries have been reported.
In social media’s biggest story yesterday, mentioned nowhere in the New York Times, Washington Post, or Politico, the organizers of the XXXIII (33rd) Summer Olympics did their very best imitation of Sodom and Gomorrha, highlighting multiple multimedia spectacular set pieces involving large numbers of unattractive cross-dressers reproducing famous religious imagery and performing interpretive dance routines that looked like a group of inexperienced campers being attacked by a giant cloud of mosquitos. ...
Practically begging for a lightning bolt, and auditioning for cameo appearances in Hades, the Olympic Committee rounded up every bearded tranvestite in Paris and liberally deployed makeup in gallon-sized cartons. The opening ceremony’s ‘centerpiece’, if you can call it that, was a living replica of the Last Supper, except featuring poorly-passing, overweight men (and one child, of course) dressed in gayly decorated, over-the-top drag costumes, in a blasphemous facsimile of the Creator of the Universe and his twelve disciples.
The ‘Drag Last Supper’ was only one of several trans-abled segments in an overlong, painfully dull series of performances. Attendees weathered things like fun, modern takes on the French Revolution, a singing, beheaded Marie Antoinette in drag, sordid Gallic themes like the ever-popular ménages à trois. At one point, an apocalyptic metallic horse galloped across the Seine on rails at the exciting pace of an escargot race.
Bearded mimes dressed as gals twerked and cavorted to bizarre electronic music, moving just like electrified frogs in a high-school science experiment, and generally made asses of themselves.
I guess they want attendees to gouge their own eyes out. "Make it stop! I'd rather see Madonna nude twerking!"
This morning, I saw clips from the opening ceremony of the Olympic Games. The imagery was, let's say, mind-boggling. It presented, among other things, a grotesque parody of Da Vinci's Last Supper. In the place of Christ sat a stout woman with half-exposed breasts; the apostles were replaced by a motley crew of transgenders and other figures from the cabinet of sexual curiosities. Among this group, there was also a young girl – a sign of childlike innocence and purity.
The parody of The Last Supper was certainly not the only striking element in the ceremony. Among other things, the fourth horseman of the apocalypse appeared – Death on a pale horse. Here, there was no parody or mockery – this Angel of Death was taken quite seriously. The ceremony was full of heavy symbolism, the connection of which to the Olympic Games – a sporting event – was hard to find. It was difficult to suppress the question: what message is this heavy symbolism pregnant of? ...
What we saw was nothing less than a ritualized mockery of the sacred and the ethical, something that, from an ethical-religious perspective, is a ritual of evil. ...
To return to the core of the matter: the Enlightenment belief placed rationality at the center and considered the whole range of Good and Evil as completely irrelevant and even non-existent. It faded into the background; people no longer paid attention to it. And in the background, something typical happened. Evil took the helm. Doing Good requires a certain level of alertness and effort from humans; one must devote some attention and energy to it; one must always overcome some resistance to do Good. If that alertness and investment of strength and energy to do Good are not there, then the ship of life silently turns and sails towards dark waters. ...
Remarkably, the idealization of Reason also cost Truth its head. The duty to speak honestly was thrown overboard within the rationalist worldview. The reasoning was quickly made. Speaking the Truth is always risky; those who speak the Truth weaken themselves; they have fewer chances in the struggle to survive; only a fool speaks the Truth.
Humans have always been deceptive and lying beings who often confuse Appearance with Reality, but the rise of the Enlightenment tradition was accompanied by the reign of a new kind of lie, a lie that is theoretically founded (based on scientific theories about mass psychology), ideologically justified, and industrially produced: propaganda. The contemporary (globalist) order stands and imposes itself through propaganda – the art of manipulating the human being; the practice of depriving the human being of spiritual freedom.
Under the pseudo-rational surface of our Enlightenment culture, therefore, a destructive, deceitful, and dehumanizing force steadily grew. It grew in the unseen, but like any spiritual Greatness, it wants to manifest itself and be publicly recognized. Our culture has reached a point where that force increasingly shows its face openly. Witness the grotesque theater of the most recent Eurovision Song Contest and the dark symbolism of the Olympic opening ceremony.
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