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That is Vienna's newest fountainWow! Vienna is highly regarded for its classical visual art, but is absolutely peerless as being the center of music in what is actually called the "Viennese Era," which ran from 1750 to 1830 and included Haydn, Mozart, and Beethoven. Schubert was actually born there.
A lot of it HAD to have been created, albeit for the grandiosity and psychopathy of the complicit dynastic ruling classes, with some kind of 3D modeling, secret science and energy carving, anti gravity, or inter dimensional transforms.
This marble statue is named the Release from Deception, or Il Disinganno. It was painstakingly carved by Genoese sculptor Francesco Queirolo and was produced over a period of 7 years from 1752-1759
https://sukwan.substack.com/p/what-do-you-dream-about
This marble statue is named the Release from Deception, or Il Disinganno. It was painstakingly carved by Genoese sculptor Francesco Queirolo and was produced over a period of 7 years from 1752-1759
It wasn’t even that long ago that we lived in a more beautiful world. The aesthetic disconnect between the architecture of the pre- and post-WWII eras is so shockingly total that it is as if one civilization had wiped out another entirely. Walk down the street in any old European city, and one sees the fossilized remnants of that lost civilization, that alien people who held certain things sacred. Forget about the cathedrals, those jewels of architectural wonder. Even the ordinary buildings erected by our recent forebears, the apartment blocks, pumping stations, post offices, train stations, and so on, were built with an eye to beauty, embellished with carvings, porticoes, ironwork, sculptures, friezes, and other decorative flourishes, their proportions pleasing to the eye, their forms organically integrated with the wider aesthetic of both natural and urban environs. This was the architecture of a people for whom beauty was not a mere afterthought, but a central concern, for beauty glorified the soul, and the soul’s purpose was to glorify God.
Even the churches we build now – stark boxes marked out as religious merely by affixing a rectilinear cross to the unadorned wall facing the broad parking lot – do not evoke a sense of quiet awe, transportation into dumbstruck wonder, or deep and reverent peace. They are not meant to evoke anything. They are simply cheap to build, maximizing seating space and volume for a given quantity of material.
Even the ordinary buildings erected by our recent forebears, the apartment blocks, pumping stations, post offices, train stations, and so on, were built with an eye to beauty, embellished with carvings, porticoes, ironwork, sculptures, friezes, and other decorative flourishes, their proportions pleasing to the eye, their forms organically integrated with the wider aesthetic of both natural and urban environs.
In March 2022 the construction of the fountain in St. Peter's square was completed.[40] In the base of the marble fountain there are four lions. Above the visitor can see four members of the Danaids.[41] The fountain has a width of 7 meters and a height of 5 meters, while the fountain was designed in collaboration with the Supreme School of Fine Arts in Athens.[42]
Eyesore of the Month is Back (Nov. '24)
Commentary on architectural blunders in monthly serial.
Behold, the new Rose des Vents student apartments at the Technopôle Angus, Montreal, Canada! Zut alors ! ! ! Our neighbor to the north, laboring harshly under the regime of Justin Trudeau, has developed an extreme penchant for self-punishment. Hence, its student housing draws inspiration from the great 1954 movie by director Don Siegel, Riot in Cell Block 11. Yes, Looks exactly like the municipal lockup in a small-to-medium city. The two top floors just scream “Exercise Yard” with all that chain-link fencing. The ground floor has even less character than the building above, signifying nothing. Since that’s where the building meets the street, it will serve as a people-repellant. (People like to know what they’re walking into.) Designed by the Montreal architecture firm ADHOC. Now, imagine it in January of a Montreal winter: windswept, with giant piles of filthy snow all around.
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