Music: What are you listening to this evening?
2017 Mar 20, 8:50pm 906,967 views 978 comments
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156
anonymous
2017 Aug 9, 7:36am
Gentle Reader,
A little music to drive by.
Regards,
Roidy
www.IvQN29A8KDE
163
HEY YOU
2017 Aug 28, 8:12pm
Think about that woman that you've been infatuated with but can never get close to.
Woo! Woo! Woo! Anytime!www.dTH1v0vuaTk
Woo! Woo! Woo! Anytime!www.dTH1v0vuaTk
165
Blurtman
2017 Aug 30, 10:02am
The Darling Buds are an alternative rock band from Newport, South Wales. The band formed in 1986 and were named after the H. E. Bates novel The Darling Buds of May – a title taken in turn, from the third line of Shakespeare's Sonnet 18: "Rough winds do shake the darling buds of May".[1][2]
Influenced by the catchy simple sound of the early Beatles as well as that of Blondie,[1] the band created melodic, hook-driven, short-duration singles. They were considered part of the short lived "Blonde" movement (indie rock band fronted by blonde female singer with all other members being dark-haired males) along with the likes of The Primitives and Transvision Vamp, but also referenced the C86 scene of a few years earlier.[3]
Crawdaddy was The Darling Buds' third album. It was released on Epic Records in 1990 and featured the singles "Tiny Machine" and "Crystal Clear".
www.Z8PuE0bo4P8
Influenced by the catchy simple sound of the early Beatles as well as that of Blondie,[1] the band created melodic, hook-driven, short-duration singles. They were considered part of the short lived "Blonde" movement (indie rock band fronted by blonde female singer with all other members being dark-haired males) along with the likes of The Primitives and Transvision Vamp, but also referenced the C86 scene of a few years earlier.[3]
Crawdaddy was The Darling Buds' third album. It was released on Epic Records in 1990 and featured the singles "Tiny Machine" and "Crystal Clear".
www.Z8PuE0bo4P8
169
Blurtman
2017 Aug 30, 10:21am
Great drum intro. Silky smooth vocals by the late, great Bob Welch.
www.yy-51ZTbFis
www.yy-51ZTbFis
170
Blurtman
2017 Aug 30, 10:24am
Reggae influenced with solid bass by John McVie and Bob Welch dreamy vocals. What a great band!www.qJVHYHIRADs
179
anonymous
2017 Sep 8, 7:52pm
Something different. Metal version of Toto's Africa.
www.MH9FyLsfDzw
www.MH9FyLsfDzw
181
anonymous
2017 Sep 9, 8:34am
Gentle Reader,
I'm going to miss Walt Becker. Hope Don Fagen is ok and doing well.
Regards,
Roidy
https://www.OKpP8_uKXDY
I'm going to miss Walt Becker. Hope Don Fagen is ok and doing well.
Regards,
Roidy
https://www.OKpP8_uKXDY
182
anonymous
2017 Sep 9, 8:38am
HEY YOU says
Gentle Reader,
This boy (me) certainly can't help it. Bluesy, talented, insightful music from one of the great rock musicians of the modern era.
Yes, Ms. Raitt, I'm referring to you.
Regards,
Roidy
One for the ladies & "that man" you think about.www.WL3FKtDMFs4
Gentle Reader,
This boy (me) certainly can't help it. Bluesy, talented, insightful music from one of the great rock musicians of the modern era.
Yes, Ms. Raitt, I'm referring to you.
Regards,
Roidy
183
anonymous
2017 Sep 13, 7:30pm
If you like pop, metal, and hand puppets, this is the song for you!!!
www.NL86PuqH8y0
www.NL86PuqH8y0
186
HEY YOU
2017 Sep 14, 8:43am
BOC
Takes me back to my youth.
Blue Oyster Cults new lyrics:
Ohhh no,they say he's got to go
Go,Go Trumpzilla!
Takes me back to my youth.
Blue Oyster Cults new lyrics:
Ohhh no,they say he's got to go
Go,Go Trumpzilla!
187
HEY YOU
2017 Sep 14, 8:51am
Was great knowing you America.
Trumpzilla! Trumpzilla! Trumpzilla!www.T65rW_SIzg0
Trumpzilla! Trumpzilla! Trumpzilla!www.T65rW_SIzg0
190
MisdemeanorRebel
2017 Sep 14, 8:07pm
MisdemeanorRebel
2017 Sep 14, 8:07pm
A "special guest" steals the Hot Chick around 3:25.
www.pEBXuhqVSws
www.pEBXuhqVSws
191
Blurtman
2017 Sep 15, 3:06pm
Real Nighttime is the second full-length album from Game Theory, a California power pop band founded by guitarist and singer-songwriter Scott Miller. Released in 1985, the album is cited as "a watershed work in '80s paisley underground pop."[1] A 30th anniversary reissue was released in March 2015, on CD and in a limited first pressing on red vinyl, with 13 bonus tracks.[2][3]
The album was the group's first to be produced by Mitch Easter, who continued as the producer of all of their subsequent albums.
Real Nighttime has been called "a virtual concept album about life after college," resulting in "a certain poignancy propelling [its] breathtaking melodies."[12] The album was also described as a "loose song cycle following a young man's journey from romantic bliss ... to soul-crushing disappointment", with comparisons to the Beach Boys' Pet Sounds.[1] According to Miller, the post-collegiate theme was paired with his "intuition that freedom had a strong aspect of being bad news," and that "excessive freedom is typically a formula for trivial and unfaithful pursuit of what passes for personal advantage."[13]
Harvard professor Stephen Burt wrote in 2011, "Throughout the Game Theory songbook, but especially in Real Nighttime (1985), you can hear an anguished concentration on language and its rules ... and on the complementary rules of pop song construction, as if all those rules—once mastered—could help solve problems of love and sex, of friendship and estrangement, of bodies with feelings that have no clear names."[14]
https://en.wikipedia.org/wiki/Real_Nighttime www.mlGZDqaS9Oc
The album was the group's first to be produced by Mitch Easter, who continued as the producer of all of their subsequent albums.
Real Nighttime has been called "a virtual concept album about life after college," resulting in "a certain poignancy propelling [its] breathtaking melodies."[12] The album was also described as a "loose song cycle following a young man's journey from romantic bliss ... to soul-crushing disappointment", with comparisons to the Beach Boys' Pet Sounds.[1] According to Miller, the post-collegiate theme was paired with his "intuition that freedom had a strong aspect of being bad news," and that "excessive freedom is typically a formula for trivial and unfaithful pursuit of what passes for personal advantage."[13]
Harvard professor Stephen Burt wrote in 2011, "Throughout the Game Theory songbook, but especially in Real Nighttime (1985), you can hear an anguished concentration on language and its rules ... and on the complementary rules of pop song construction, as if all those rules—once mastered—could help solve problems of love and sex, of friendship and estrangement, of bodies with feelings that have no clear names."[14]
https://en.wikipedia.org/wiki/Real_Nighttime www.mlGZDqaS9Oc
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