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I think marble is pretty soft. You can scrape and polish after you chisel.
The life expectency then was around 50. So he was about middle-aged.
Actually, if you survived birth and early childhood your life expectancy was about the same as today.
In 2016, Gazzaniga published her research on more than 2,000 ancient Roman skeletons, all working-class people who were buried in common graves. The average age of death was 30, and that wasn’t a mere statistical quirk: a high number of the skeletons were around that age. Many showed the effects of trauma from hard labour, as well as diseases we would associate with later ages, like arthritis.
https://twitter.com/Western_Trad/status/1616831477416697857?ref_src=patrick.net
Yeah it's clear that modern medicine has saved countless of lives and took a wrong turn maybe roughly about 50 years ago or so? If you had a sepsis and your body couldn't contain it you were fucked quickly before the age of penicillin
Sometimes all it took was cracking a tooth on a piece of bread that had a small little piece of stone from the quern in it... it got infected
Sometimes all it took was cracking a tooth on a piece of bread that had a small little piece of stone from the quern in it
Sadly, as late as the early 1900's it killed three of the most promising jazz musicians of their day. In the early 1920's, Lorin McMurray (1895-1922), one of the greatest saxophone players of the era, developed a nasal infection that spread to his brain and killed him in two weeks. I have both of his Gennett recordings, one made just a week before he died. Carlton Coon (1895-1932), half of the Coon-Sanders orchestra so popular with the college crowd and noted for his beautiful voice in duets with Joe Sanders, had a dental abscess that gave him much pain, but he enjoyed listening to the other bands after hours he numbed it with alcohol until it spread and killed him. Bing Crosby encouraged his jazz guitarist friend Eddie Lang (1903-1933) to have a tonsillectomy that should improve his singing voice. Instead it was botched and he died of blood poisoning. Bing never forgave himself for his advice.
It wasn't uncommon to see people in the last century into modern times
Sadly, as late as the early 1900's it killed three of the most promising jazz musicians of their day. In the early 1920's, Lorin McMurray (1895-1922), one of the greatest saxophone players of the era, developed a nasal infection that spread to his brain and killed him in two weeks. I have both of his Gennett recordings, one made just a week before he died. Carlton Coon (1895-1932), half of the Coon-Sanders orchestra so popular with the college crowd and noted for his beautiful voice in duets with Joe Sanders, had a dental abscess that gave him much pain, but he enjoyed listening to the other bands after hours he numbed it with alcohol until it spread and killed him. Bing Crosby encouraged his jazz guitarist friend Eddie Lang (1903-1933) to have a tonsillectomy that should improve his singing voice. Instead it was botched and he died of blood poisoning. Bing never forgave himself for his advice.
It wasn't uncommon to see people in the last century into modern times
Here's Coon's first record from the last session in 1932:
https://www.youtube.com/watch?v=x0u0HpNM6XE
Another secret is that early 20th Century slum clearing and sanitation did more against most diseases we vaccinate for than the vaxes did themselves. 80% of the drop in things like Measles occured during the massive sewer and indoor plumbing campaigns, before those vaccines were invented.
This doesn't bode well for San Francisco and other progressive-run cities.
Patrick says
Yes, but notice the buxom ones have the figure emphasized and displayed.
AmericanKulak says
Another secret is that early 20th Century slum clearing and sanitation did more against most diseases we vaccinate for than the vaxes did themselves. 80% of the drop in things like Measles occured during the massive sewer and indoor plumbing campaigns, before those vaccines were invented.
This doesn't bode well for San Francisco and other progressive-run cities.
The recent rain storm has washed all the shit into the bay.
A school principal in Tallahassee, Florida, has been fired following parental complaints about a lesson on Michelangelo’s marble masterpiece David (1501-04), which was deemed “pornographic” by one aggrieved parent.
Blame Le Corbusier for all this shit.
A school principal in Tallahassee, Florida, has been fired following parental complaints about a lesson on Michelangelo’s marble masterpiece David (1501-04), which was deemed “pornographic” by one aggrieved parent.
Behold, the new Richard Gilder Center for Science — an addition to New York’s American Museum of Natural History, designed by Jeanne Gang, the most-published architect on The Eyesore of the Month!
Here’s what you get when you ask computer aided design (CAD) to give you a “bat cave.” CAD is universal now in the architecture biz. This technology has aggravated the feedback loop between the human tendency to seek novelty and the bizarre-ness of every new building produced in our culture. Even before CAD arrived on the scene, novelty-seeking drove post-World War Two building design. That itself derived from the accelerated sense of “progress” induced by our turbo-charged cheap oil economy, which brought on dizzying technological innovation, another feedback loop. The net result was the buildings that represented human endeavor — especially, public buildings, museums, courthouses, libraries — had to look like nothing ever seen before. This programming also served to demolish people’s sense of history, of which the thinking classes were increasingly ashamed, especially after the fiasco of two world wars and Auschwitz.
What was wrong with this grand cavalcade of novelty-seeking, you might ask? It was creative… innovative… diverse! Well, yes. But it also tended to ignore the archetypal symbolic language that buildings need to project in order to inform people what each building means and what its role is in human endeavor. You could no longer distinguish a school from an insecticide factory. It also obliterated the anthropomorphic element in architecture that fitted buildings into a design ethos that reflected human form, in particular the “tripartite” configuration of top, middle, base (head, trunk, feet) which is the basis of many so-called classicisms.
Yet another consequence of perpetual novelty-seeking for the sake of “progress” is that buildings no longer relate to the other buildings around them. Each is a one-off, and so there is no continuity or unity in the urban pattern. The result is an unfortunate urban cacophony which only ends up expressing the disordered condition of our society.
Now you know.
Behold, the new Richard Gilder Center for Science
Yet another consequence of perpetual novelty-seeking for the sake of “progress” is that buildings no longer relate to the other buildings around them. Each is a one-off, and so there is no continuity or unity in the urban pattern.
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